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Friday, March 29 at 2 p. Friday, March 29 at 6 p. Saturday, March 30 at 3 p. Sunday, March 31 at 12 p. Sunday, March 31 at 3 p. Ambient, almost viral tension is the default mode from the outset in a German school where a spate of thefts is the talk of the campus.
This element of the film is particularly well drawn, and not just a little scary to think about. Saturday, March 30 at 12 p. I promise that we are and will not show the visually horrifying remake. Be our guest! Friday, April 5 at 2 p. Friday, April 5 at 6 p. Sunday, April 7 at 12 p. Shot in black and white in the style of a silent film albeit with a fair amount of audible harrumphing , Beavers stars Ryland Brickson Cole Tews also a producer and screenwriter on the film as Jean Kayak, a drunken applejack salesman forced to battle wits with hordes of romance in order to save his business and, of course, find his one true love.
Apart from the few evidently human cast members, every other character is an animal in a life-size mascot suit, lending a welcome tinge of absurdity to the proceedings, which culminate in a set piece that is equal parts Metropolis and Monsters, Inc. What makes the film really sing are the technical chops behind it: despite some scenarios that could feel repetitive, Cheslik and his team are constantly mixing up their filming style, framing, blocking, and cutting the action in new and precise ways.
Saturday, April 6 at 1 p. In my biased opinion, this series is a must-see, and the people of New York City agree with me a recent Yang retrospective is now the biggest ever such series in the history of Film at Lincoln Center.